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When the stars descend upon the Cannes Film Festival, glamour always ensues. Naomi Watts glowed on the red carpet of the For the Love of Cinema event with a fresh makeup look with a French influence. Makeup artist Georgie Eisdell created the look and offers step-by-step instructions for your own gorgeous beauty transformation.

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Face

“I prepped her skin with La Mer Regenerating Serum and then La Mer Soft Cream,” says Georgie. “To even out her skin tone and create a flawless base, I used Chanel Vitalumiere Aqua Skin Perfecting Makeup, taking the edge of the shine with La Mer The Powder.  For a little color and contour, I used Bobbi Brown Bronzer in Medium, and finally I added illumination to the skin with Chanel Mouche De Beaute Poudre Illuminating Powder.

On her cheeks I used Bobbi Brown Cream Blush in Pale Pink to create depth and a flushed cheek. Then for a pop of color I added a wash of Laura Mercier Second Skin Color in Lotus Pink to the apples of the cheeks.”

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Eyes

“For Naomi's eyebrows I wanted to keep them soft but structured so I used Tom Ford Brow Sculptor in Blonde and extended the brows slightly to shape the face,” explains Georgie.

“I kept the lids very light but illuminated. I used MAC Amber Lights Eyeshadow on the lash line blending up just a little to give a beautiful highlight. I then brought a little of the shadow under her eye to open them up.  Naomi has beautiful eyes so I wanted to enhance the shape. I used MAC Carbon Eyeshadow, dampening my eyeliner brush so the shadow would turn into a soft liner and give the eye definition and depth. I lined the eye on the outer corner and gave the ends a slight flick for a flirtatious finish to the eye.  I finished the eye off with two layers of YSL Faux Cil Mascara in Black.”

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Lips

“Her lips were the main focus of this look. I used Chanel Rouge Allure Velvet Luminous Matte Lip Colour in La Sensuelle for a gorgeous raspberry pout.”

Which celeb has flaunted the best red carpet look at Cannes this year? Tell us in the comments below or tweet @OKMagazine.

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